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There is a coloured perspective of the bridge similar to SM Adam volume 2/181, at the Scottish National Gallery. The drawing is signed by Robert Adam and dated 1791 and would suggest that the other drawings showing the same or variant design likely date from the same year. The drawing also appears to have scars from fliers suggesting this perspective also contained variant designs for the piers. There is another watercolour perspective of the bridge, attributed to Robert Adam, at the Buccleuch archives.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).
Contents of Designs for a bridge, c.1791-92, executed to a variant design (5)
- [1] Design for a bridge, c.1791, executed
- [2] Design for a bridge, c.1791, executed to a variant design
- [3] Working drawing for a panel on a bridge, 1792, unexecuted
- [4] Finished drawing for a bridge, c.1791, executed to a variant design
- [5] Finished drawing for a bridge, c.1791, executed