Explore Collections Explore The Collections
You are here: CollectionsOnline  /  Designs for a bridge, c.1791-92, executed to a variant design (5)

Browse

Purpose

Designs for a bridge, c.1791-92, executed to a variant design (5)

Notes

The bridge designs comprise a semi-circular, single-span bridge, which, when executed, was 70 feet long and 42 feet in height. The elevation of the bridge (SM 34/110) contains three variant designs on one drawing. Each variant has rusticated piers, voussoirs, a panel frieze, wall parapet and the Buccleuch crest (a stag) in the centre of the parapet. One variant has plain piers, one with urn-filled niches and a panel containing strigillation above, and one with pedimented niches with Greek Doric columns, arabesque panels and reclining figures at each end of the parapet, exhibiting Adam’s use of the quasi-Greek Doric order. The simpler design (with niches and strigillated panels) was executed without the rusticated piers or voussoirs, owing to its construction in ashlar. It is not clear if the stag was ever constructed. The bridge was later named, ‘Montagu Bridge’ and is listed Category A on the Scotland Register.

There is a coloured perspective of the bridge similar to SM Adam volume 2/181, at the Scottish National Gallery. The drawing is signed by Robert Adam and dated 1791 and would suggest that the other drawings showing the same or variant design likely date from the same year. The drawing also appears to have scars from fliers suggesting this perspective also contained variant designs for the piers. There is another watercolour perspective of the bridge, attributed to Robert Adam, at the Buccleuch archives.

Level

Group

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).  


Contents of Designs for a bridge, c.1791-92, executed to a variant design (5)