[5] Finished drawing for a bridge, c.1791, executed

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Robert and James Adam office drawings
- Country houses
  - Dalkeith House, Midlothian: executed designs for a bridge and porter’s lodge with gates, and an unexecuted design for a sundial, for Henry Scott, 3rd Duke of Buccleuch, c.1791-94 (8)
    - Designs for a bridge, c.1791-92, executed to a variant design (5)

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Reference number

SM Adam volume 34/112

Purpose

[5] Finished drawing for a bridge, c.1791, executed

Aspect

Section through a bridge within a landscape showing the head of the arch followed by the profile of the external walls of a pier containing pedimented niches with fluted Doric columns, rusticated walls, and a dentilled cornice at parapet level

Scale

bar scale of one inch to 10 feet

Inscribed

Section through the Center of the Arch / (verso) a Bridge for the Duke of Buccleigh[sic] at Dalkeith

Signed and dated

c.1791
datable to 1791

Medium and dimensions

Pen, pencil, wash and coloured wash including Naples yellow and Cerulean blue on laid paper (477x274)

Hand

Possibly
Adam office hand, possibly Robert Morison or John Robertson

Watermark

GR surmounted by fleur de lis within crowned cartouche

Literature

Bolton, Volume II, Index, 1922, p. 9
King, Volume 1, 2001, pp. 334-335
King, Volume 2, 2001, p. 214
Further literary references in scheme notes

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).