[3] Working drawing for a panel on a bridge, 1792, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Dalkeith House, Midlothian: executed designs for a bridge and porter’s lodge with gates, and an unexecuted design for a sundial, for Henry Scott, 3rd Duke of Buccleuch, c.1791-94 (8)
    - Designs for a bridge, c.1791-92, executed to a variant design (5)

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Reference number

SM Adam volume 34/113

Purpose

[3] Working drawing for a panel on a bridge, 1792, unexecuted

Aspect

Drawing of a festoon with ribbons and an enclosed flat-leaf rosette, and a section of the moulding for the frame of the panel

Scale

scale of 2 inches to 1 foot

Inscribed

Festoon in the pannel of the pairs of / Dalkeith Bridge for his Grace The / Duke of Buccleugh with some dimensions in pencil / (verso) This should be put Twenty Third / (in a different hand) [_ _ _ ] of Buccleigh[sic] Bridge over the Esk

Signed and dated

17/08/1792
Albemarle Street / 17 Aug^t 1792

Medium and dimensions

Pen and pencil on laid paper (432x376)

Hand

Probably
Robert Adam

Watermark

J Whatman

Notes

This detail was not executed and the bridge was constructed with strigillation panels as shown in SM Adam 34/110

Literature

Bolton, Volume II, Index, 1922, p. 9
King, Volume 1, 2001, pp. 334-335
King, Volume 2, 2001, p. 214
Further literary references in scheme notes

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).