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  • image SM Adam volume 34/111

Reference number

SM Adam volume 34/111

Purpose

[1] Design for a bridge, c.1791, executed

Aspect

Plan of a bridge comprising a single span with a central plinth flanked by two piers, either side of a carriageway with a foot path on one side

Scale

bar scale of 1 inch to 10 feet

Inscribed

Plan of the Bridge proposed to be built over the Esk at Dalkeithe / (in the hand of William Adam) for his Grace The Duke of Buccleugh / (and in another hand) Carriage way / Foot Path / (verso) (in pencil) Duke of Bucleugh[sic] his Bridge

Signed and dated

  • c.1791
    datable to c.1791

Medium and dimensions

Pen on laid paper (474x262)

Hand

Possibly
Adam office hand, possibly Robert Morison or John Robertson

Watermark

GR surmounted by fleur de lis within a crowned cartouche

Literature

Bolton, Volume II, Index, 1922, p. 9
King, Volume 1, 2001, pp. 334-335
King, Volume 2, 2001, p. 214
Further literary references in scheme notes

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).