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- 1771
Harley established himself as a wine merchant on Aldersgate Street in c.1752, and within a decade he had branched out into clothing and military contracts. During the American War of Independence this became extremely lucrative, and in 1778 he went into a banking partnership with Sir Charles Raymond, forming 'Raymond, Harley, Webber and Co.'; on George Street. At the same time he purchased an estate near Leominster, Herefordshire, and built Berrington Hall in 1778-81 to designs by Henry Holland (1745-1806).
In 1752 Harley had married Anne Bangham, the daughter of Edward Bangham MP, with whom he had two sons and five daughters. In 1781 their second daughter, Sarah Harley, married Robert, 10th Earl of Kinnoull, the son of Archbishop Robert Hay-Drummond, Adam's patron at Brodsworth Hall, South Yorkshire in c.1761-65. It was not, however, through this connection that Robert Adam came to Harley's attention, as it was a decade before the Kinnoull marriage that Adam was employed by Harley to make interior decorative designs for 152 Aldersgate Street.
Five drawings survive for the house, showing a ceiling design, a chimneypiece design, and a frieze design. The frieze is inscribed as being for the back drawing room (traditionally the rear room on the first storey), and as such it is possible that the ceiling and chimneypiece were also intended for this location. However, none of Adam’s designs for the house were executed. Much of Aldersgate Street was rebuilt during the twentieth century, including a large office building at number 50, which encompasses the plot of Harley's former house.
Literature:
A.T. Bolton, The architecture of Robert and James Adam, 1922, Volume II, Index pp. 34, 74; B. Weinreb, and C. Hibbert, The London encyclopaedia, 1983, p. 13; D. King, The complete works of Robert & James Adam and unbuilt Adam, 2001, Volume II, p. 180; History of Parliament online: 'Harley, Hon. Thomas (1730-1804), of Berrington, Herefs.'
Frances Sands, 2013
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).
Contents of Aldersgate Street, number 152, London: unexecuted designs for interior decoration for the Hon. Thomas Harley, 1771 (5)
- Alternative designs for a ceiling for an unknown room (possibly the back drawing room), 1771, unexecuted (3)
- Design for a chimneypiece for an unknown room (possibly the back drawing room), 1771, unexecuted (1)
- Record drawing for a frieze for the back drawing room, ND, unexecuted (1)