Browse
There are four Adam office drawings for the bridge within the National Trust drawings collection at Osterley. These comprise a plan and an elevation for each of two alternative schemes. The first scheme is dated 1768, and composed of complete copies of Adam volume 51/8 and 51/7, and the second scheme is composed of a complete copy of Adam volume 51/6 and its matching plan. The client's copy of the executed bridge design was photographed in the early twentieth century, but has since been lost.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).
Contents of Alternative designs and a finished drawing for a bridge, 1768, drawing 119 as executed (5)
- [115] Design for a bridge, 1768
- [116] Design for a bridge, 1768
- [117] Design for a bridge, 1768
- [118] Finished drawing for a bridge, 1768
- [119] Design for a bridge, 1768, as executed