[119] Design for a bridge, 1768, as executed

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Robert and James Adam office drawings
- Country houses
  - Osterley Park, Hounslow, Greater London: designs for the house, interior and park for Francis Child and Robert Child, 1761-80 (126)
    - Additions to the park
      - Alternative designs and a finished drawing for a bridge, 1768, drawing 119 as executed (5)

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Reference number

SM Adam volume 51/1

Purpose

[119] Design for a bridge, 1768, as executed

Aspect

Perspective of a bridge, composed of a single, rusticated, segmental arch, with a mask ornamenting the key stone, and surmounted by a solid balustrade, with a central figurative tablet, and supported by two piers, articulated by banded Doric pilasters, containing urn-filled rectangular recesses, figurative relief panels, friezes of festoons and rosettes, and with a tablet containing a roundel and festoons on the balustrade, surmounted by a sculpted relining figure, and with abutments terminating with pedestals supporting urns, and with a roughly drawn boat in the foreground

Scale

measured

Inscribed

It is unknown for whom this was designed (in pen in the hand of William Adam)

Signed and dated

1768
datable to 1768

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (686 x 488)

Hand

Robert Adam, and title inscription in the hand of William Adam

Watermark

JWHATMAN and fleur de lis within crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 25
King, 2001, Volume I, p. 351
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).