[115] Design for a bridge, 1768

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Robert and James Adam office drawings
- Country houses
  - Osterley Park, Hounslow, Greater London: designs for the house, interior and park for Francis Child and Robert Child, 1761-80 (126)
    - Additions to the park
      - Alternative designs and a finished drawing for a bridge, 1768, drawing 119 as executed (5)

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Reference number

SM Adam volume 51/8

Purpose

[115] Design for a bridge, 1768

Aspect

Plan of a bridge composed of three arches, resting on four piers, and with curving abutments. One half of the plan shows the bridge at road level, and the other half of the plan shows the starlings, and foundations of the abutment

Scale

bar scale of 1/5 inch to 1 foot

Inscribed

Plan of the Coach & Foot Ways of Mr Childs Bridge (of Mr Childs Bridge in the hand of William Adam) / Plan of the Foundations and some measurements given

Signed and dated

1768
datable to 1768

Medium and dimensions

Pen and pencil on laid paper (1248 x 482)

Hand

Adam office hand, possibly William Hamilton or J P Laurent, with addition to title inscription in the hand of William Adam

Verso

5 / 6 / Number 4 (in red pen) / Robt Child Esqr Osterly Park

Watermark

PVL

Literature

Bolton, 1922, Volume II, Index p. 25
Rowan, 1988, p. 82
King, 2001, Volume II, p. 224
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).