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Design and finished drawing for a double dome version for Holy Trinity Church, Marylebone, London, 1820 (2)

Notes

This unusual design may have been a way of Soane experimenting with an alternative to a tower and/or pediment, whilst preserving a higher clerestory level to allow more light into the interior. The domes would be above the entrance vestibule and the chancel and sit on elaborately sculpted bases. Carr speculated that Byzantine and Romanesque churches, such as St Mark's in Venice may have had some influence, but as Carr admitted: 'if these are Soane's "sources," he has much transformed them.' (Carr, 1976, pp. 351-2).

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).  


Contents of Design and finished drawing for a double dome version for Holy Trinity Church, Marylebone, London, 1820 (2)