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image SM Vol. 60 /192

Reference number

SM Vol. 60 /192

Purpose

[12] Finished drawing for the exterior of Holy Trinity Church, Marylebone, London, September 1820

Aspect

Perspective of a five-by-seven bay church set within a landscape, with a curved path running across the front of the principal entrance. The front is identical to SM 54/3/10. The side of the church has round windows except the first and seventh bays whcih are small and articlated by Doric columns. There is a raised clerestory level with seven bays, the fifth projecting sideways. The sixth bay is topped by an identical dome to that at the front

Scale

to a scale

Signed and dated

  • September 1820
    This is drawn from the same perspective as SM 54/3/4; SM 54/3/5; SM 54/3/7, but is the only drawing in the corpus to have a double dome design, and therefore should be dated early in the Holy Trinity Marylebone scheme, probably September 1820 when the other similar perspectives are produced

Medium and dimensions

Pencil, pen, wash, coloured washes of cerulean blue, brown, Payne’s grey, green, olive green, orange, red, sepia and yellow on wove paper (560 x 330)

Notes

This is a three-point perspective which relates to the frontal elevation SM 54/3/10 in all the respective details.

Literature

Carr, 1976, vol. II pp. 351-352; vol. III p. 825 fig. 141

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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