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Purpose

Princes Street screen wall and offices, 1790-91 (9)

Notes

The south-west wing designed by Robert Taylor and completed in 1785 was faced with a screen wall on Threadneedle and Princes Streets. The wall on Princes Street (on the west side of the Bank) was not treated with the same Italianate arcade as the other façades, consisting instead of a simple face with a pavilion at either end. The wall was built in 1786, when the brick walls of former houses were finally cleared. The brick walls and remains had served as a make-shift protection on the Bank's west side until a local committee requested that the remains be cleared.

On 7 May 1789, Soane proposed raising the kerb on Princes Street and installing new ironwork. In November 1791 presentation designs were shown to the Building Committee for adorning the wall with terminal pavilions at both ends. In 1792 building works were carried out on the wall, probably for the construction of the new gate but not for the terminal pavilions.

In April 1793 the Building Committee approved Soane's design for new buildings behind the wall, including a Drawing Office, Accountants Office and a Governor's Room with a corridor to the existing Committee Rooms. The offices were probably constructed in 1793 (see 'Acquiring property for the north-east extension' scheme).

For plans of the offices behind the Princes Street screen wall, see SM 9/3/3 and SM 9/3/4. A later plan showing the rooms as part of the north-east extension, in 1803, is in SM 9/2/16.

Literature: E. Marston Acres, The Bank of England from within, London, 1931. pp. 220, 387-91; D. Abramson, Money's architecture: the building of the Bank of England, 1731-1833, Doctoral thesis for the Department of Fine Arts, Harvard University, 1993, pp. 315-316, 336-337.

Madeleine Helmer, 2010

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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Contents of Princes Street screen wall and offices, 1790-91 (9)