[4] Variant design for the terminal pavilion of the screen wall, November 1791

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Bank of England
  - Bank of England, City of London for the Governor and Company of the Bank of England, 1788-1834 (1356)
    - 1788-1793 Initial assessment of existing buildings and minor alterations (74)
      - Princes Street screen wall and offices, 1790-91 (9)

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Reference number

SM volume 60/205

Purpose

[4] Variant design for the terminal pavilion of the screen wall, November 1791

Aspect

Elevation showing a variant design for the corner of Princes and Lothbury Streets

Scale

to a scale

Inscribed

Front of the Bank next Princes Street

Signed and dated

John Soane Arch^t.Nov. 11 1791

Medium and dimensions

Pen and yellow, grey and blue washes, watercolour technique, within double ruled pen and wash border on laid paper (290 x 462)

Hand

Soane office

Notes

This drawing is a proposal for the terminal pavilion that was not executed. It shows a more conventional pavilion design to that of SM volume 60/204. Later drawings show the pavilion as similar to the one depicted here, with four columns supporting a pediment. Twin columns framed a blind arch beneath the pediment and the balustrade surmounting the rusticated wall was level with the pediment.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).