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- 1696
Main Year - Other Years: 1697, 1698
The 'Warrant design' drawings at the National Maritime Museum library (NMM ART 4/1-8; see Bold 2000, figs. 152-55; Wren Society, VI, pls 1-9) only show the conversion of King Charles II Building and the addition of a base wing. [5/1] is a partial plan of this scheme, the larger whole of which was ther 'three-block' scheme. [5/1] shows the hall as a detached range, with the colonnade in the near final position. The hall is the same distance from the King Charles II Building as in the earliest known complete plan of the three-block scheme. This is an undated block plan in the Lambeth Palace Library, drawn by Hawksmoor (MS 933/99; Bold 2000, fig. 140), and probably belonging to the latter part of 1698. In this scheme, the west ends of the hall and south dormitory ranges are linked to the central of the three parallel blocks by narrower intermediate blocks, each with a central passage.
Soon after he was created Clerk of Works on 22 July 1698, Hawksmoor began negotiating with the royal gardener Henry Wise for the purchase of a large plot of land west of the hall. On the Lambeth Palace plan this plot is marked 'Mr London and Mr Wise's Garden, called Blissett's Garden' ('Blissett' being the name of the previous owner, and 'London', George London, Wise's business partner). These negotiations were made possible by the increasingly favourable state of the accounts in mid-1698 onwards, when large sums of money from sixpence levies on seamen's wages began to come in. In the latter part of 1698, the three-block scheme was revised to a twin courtyard arrangement, named here as the revised executed scheme, [6]. The revision was complete by January 1699, when Hawksmoor was paid for a large, three-part model.
The elevation of the hall, [5/2], belongs to the three-block scheme, even though it does not have a dome. It is commensurate in scale, dimensions and detail to the two other known elevational designs for the hall ([6/2] and All Souls, Geraghty 2007, no. 201). In all three elevations the hall has been given a taller attic storey, to raise its cornice to the height of the attic cornice of the King Charles II Building.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
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Contents of [5] Executed design (three-block scheme), begun 1696, revised 1698
- [5/1] Incomplete working drawing of the executed design, begun in June 1696, showing the upper mezzanine (second-floor) plan of the King Charles II Building and its base wing, and the plan of the Great Hall at a similar level
- [5/2] Preliminary design for the hall, 1697-98, without a dome, and with a north-facing flight of steps to the colonnade
- [5/3] Preliminary design for the plan of the vestibule of the Great Hall at main floor level, showing the piers and columns supporting the dome, and, on the right side of sheet, at right angles, with the top of the pediment in the middle of the sheet, a faint incomplete preliminary sketch for the central pedimented pavilion on the east elevation of 'Queen Anne's Court'
- [5/4] Preliminary design for the chapel, c.1698