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The total cost of the new building came to £8,796, on which Dance charged the usual fee of 5 per cent (£439.16.0). The builders were Pinder and Norris (masons, paid £1,756.11.0 for work commencing 16 July 1792), Thomas Poynder (bricklayer, paid £2,291.2.10¼ for work commencing 6 December 1792), John and William Poynder (plumbers, paid £686.1.1½ for work commencing 31 August 1792), Thomas Palmer (plasterer, paid £282.11.7 for work done in 1794), James Fisher (carpenter and joiner, paid £2,847.15.1¼ for work done 1793-4). Other craftsmen included Larkin, Eade & Company (smiths and ironmongers, paid £500). Kerr & Company supplied 'Eldorado [patent] sashes' and patent slating was supplied by Samuel Wyatt.
In 1874, Martin's exchanged 67 Lombard Street and £7,000 for Garraway's Coffee House, belonging to Glyn's, which lay in the confusing hinterland behind 68 Lombard Street and its neighbours. Norman Shaw then designed for Martin's a red-brick, Queen Anne building on the site of Garraway's, lining the old banking hall with oak panelling to match the new offices. Glyn's architect remodelled the ground and first floors of 67 Lombard Street leaving the upper storeys as Dance had designed them.
Two photographs taken after 1874, and another in 1928 (Barclays Bank Group Archive: Acc 9/593), show a five-bay, three-storey with dormer attic front above the differing, slightly raised ground floors of 67 and 68 Lombard Street. The brick upper storeys have the same plain detailing as Dance's elevation [SM D3/10/3] while the three extant bays of Martin's Bank have the semicircular-headed windows, distinctive capitals and first floor lattice window guards also shown in [SM D3/10/1].
Nos 67 and 68 Lombard Street survived until demolished (with other buildings) for a new Martin's Bank and Glyn, Mills & Co. bank building by Sir Herbert Baker and A.T. Scott, 1930-32. More recently Regus, a service office company, has occupied the building through which Change Alley still runs.
LITERATURE. J. B. Martin, "The Grasshopper" in Lombard Street, 1892, pp.311-15; R. Fulford, Glyn's 1753-1953, six generations in Lombard Street, 1953, pp.7, 163-4; G. Chandler, Four centuries of banking, 2 vols, passim, 1964; Stroud pp.159-60; Kalman pp.231-2, 383 n.12; S. Bradley & N. Pevsner, London 1: the City of London, 1997, p.537.
OTHER SOURCES. The Martin's Bank archive is housed in the Barclays Bank Group Archives, Manchester.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).
Contents of Martin's Bank, 68 Lombard Street, City of London, 1791-2 (5). Design and revised design, neither as executed, for new premises for Martin, Stone & Foote
- Martin's Bank, 68 Lombard Street, City of London, 1791-2
- Martin's Bank, 68 Lombard Street, City of London, 1791-2
- Martin's Bank, 68 Lombard Street, City of London, 1791-2
- Martin's Bank, 68 Lombard Street, City of London, 1791-2
- Martin's Bank, 68 Lombard Street, City of London, 1791-2