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Comparison with a watercolour view by Valentine Davis (1784-1869) of 'Messrs Martin, Stone & Copy, 68 Lombard Street', c.1810 (Guildhall Library, Prints & Maps Department, Record: 4138) shows that, as built, Dance modified the revised design so that the front was organised with five bays with sash and not casement windows; the top storey became an attic with a parapet and dormer windows. At ground floor level were five bays with semicircular-headed openings that, from the left, read: door, two windows, entrance to Change Alley and another window.
Much of the accommodation was domestic. James Martin II, the senior partner between 1775 and 1807, lived in Downing Street, Westminster but junior partners as well as clerks would have resided in Lombard Street in the floors above the 'shop' and in the two eastern bays.
REPRODUCED. Stroud fig.53a.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).