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A bishop saint with a staff holding a model church, Saint Severinus?, stained glass panel, German, Rhineland, c.1600
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SM SG95. ©Sir John Soane's Museum. Photo: Geremy Butler.
A bishop saint with a staff holding a model church, Saint Severinus?, stained glass panel, German, Rhineland, c.1600
Clear glass with brown paint, the painting is monochromatic
Height: 270mm
Width: 145mm
Width: 145mm
Museum number: SG95
On display: South Drawing Room Loggia
All spaces are in No. 13 Lincoln's Inn Fields unless identified as in No. 12, Soane's first house.
For tours https://www.soane.org/your-visit
Curatorial note
The Saint wears an elaborate cope with his pastoral staff leaning inside his left arm. He supports a model of a church which includes a major west tower, the ‘Westwerk’ in German Romanesque churches, and two smaller towers either side of the apse. A river and wooded hills appear on the low horizon. St Severinus is said to have been bishop of Cologne and was venerated as its ancient protector.
The narrow windows at E and W ends of the South Drawing Room loggia originally contained a set of ten sepia panels depicting bishops and saints c.1600 set within ball enrichment and coloured glass borders of which SG95 is one. Both windows were severely damaged by bomb blast in September 1940 and boarded up from that time until 1951. In that year, Powell’s repaired the W window, incorporating into it the three surviving subject panels (SG92, SG94 and SG95) from the E window and the one surviving panel from the W window (SG101), along with a panel with an inscription recording these alterations. Surviving fragments of the border of the E window were used in the repair of the W window which explains the truncated ‘ball’ pattern on some of the horizontal strips. The E window was re-glazed with clear plate glass. In 1992 the stained glass borders to the E window were re-created by Philip Crook, Vitrail Studios, Newcastle, as part of the restoration of the front façade of the Museum.
The style of the glass-painting in this series of panels is similar to two panels depicting St Helena and a Bishop-saint, which are thought to come from Cologne, now in the Victoria and Albert Museum, London. There are also similarities with panels of a Bishop-saint and St Wendelin (?) from the Middle Rhineland in the Hessisches Landesmuseum, Darmstadt, and a panel of Kaiser Karl der Grosse in the Museum für Kunsthandwerk, Frankfurt
The narrow windows at E and W ends of the South Drawing Room loggia originally contained a set of ten sepia panels depicting bishops and saints c.1600 set within ball enrichment and coloured glass borders of which SG95 is one. Both windows were severely damaged by bomb blast in September 1940 and boarded up from that time until 1951. In that year, Powell’s repaired the W window, incorporating into it the three surviving subject panels (SG92, SG94 and SG95) from the E window and the one surviving panel from the W window (SG101), along with a panel with an inscription recording these alterations. Surviving fragments of the border of the E window were used in the repair of the W window which explains the truncated ‘ball’ pattern on some of the horizontal strips. The E window was re-glazed with clear plate glass. In 1992 the stained glass borders to the E window were re-created by Philip Crook, Vitrail Studios, Newcastle, as part of the restoration of the front façade of the Museum.
The style of the glass-painting in this series of panels is similar to two panels depicting St Helena and a Bishop-saint, which are thought to come from Cologne, now in the Victoria and Albert Museum, London. There are also similarities with panels of a Bishop-saint and St Wendelin (?) from the Middle Rhineland in the Hessisches Landesmuseum, Darmstadt, and a panel of Kaiser Karl der Grosse in the Museum für Kunsthandwerk, Frankfurt
Literature
Heinrich Oidtmann, Das rheinische Glasmalerei von 12 bis 16 Jahrhundert. Vol 1: Cologne, 1912; Vol 2: Dusseldorf, 1929
Bernard Rackham, A Guide to the Collections of Stained Glass, Victoria and Albert Museum. London: V&A Department of Ceramics, 1936 C54, 56 -1919
Suzanne Beeh-Lustenberger, Glasgemälde aus Frankfurter Sammlungen. Frankfurt: Verlag Waldemar Kramer, 1965 Inv. 13445b
Suzanne Beeh-Lustenberger, Glasmalerei um 800-1900 im Hessischen Landesmuseum in Darmstadt. Frankfurt: Hans Peters Verlag, 1973 Inv. Kg 30:24, Inv. Kg 31:20
Catalogue of the Stained Glass in Sir John Soane's Museum, Special Issue of the Journal of Stained Glass 2004, pp 227, 230
Bernard Rackham, A Guide to the Collections of Stained Glass, Victoria and Albert Museum. London: V&A Department of Ceramics, 1936 C54, 56 -1919
Suzanne Beeh-Lustenberger, Glasgemälde aus Frankfurter Sammlungen. Frankfurt: Verlag Waldemar Kramer, 1965 Inv. 13445b
Suzanne Beeh-Lustenberger, Glasmalerei um 800-1900 im Hessischen Landesmuseum in Darmstadt. Frankfurt: Hans Peters Verlag, 1973 Inv. Kg 30:24, Inv. Kg 31:20
Catalogue of the Stained Glass in Sir John Soane's Museum, Special Issue of the Journal of Stained Glass 2004, pp 227, 230
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