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Round cinerary urn carved with genii and sphinxes.
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Round cinerary urn carved with genii and sphinxes.
Luna marble
Height: 64cm
Height (excluding lid): 42.5cm
Height (pedestal, excluding square base): 12cm
Height (frieze): 23cm
Circumference (lid): 100cm
Height (excluding lid): 42.5cm
Height (pedestal, excluding square base): 12cm
Height (frieze): 23cm
Circumference (lid): 100cm
Inscription: D. M / AROALIE / F. S VX. ANN. XI / AROIA. FIL
Inscription note: This is a very odd inscription and CIL considers it to be false. The only conceivable expansion might be:
D[is] M[anibus] Aroali<a>e f[iliae?] S v<i>x(it] ann[is] XI Aroia fil[iae] [fecit?]
“To the spirits of the departed. To Aroalia? daughter? of ?, who lived eleven years. Aroia ?set it up for her daughter?”
However Tupman believes this would be stretching the material too far, and thinks it almost certainly belongs where CIL has placed it, under ‘Falsae’. Tupman has been unable to find any Greek or Latin names that correspond with the names given in this inscription.
We are grateful to Dr. Charlotte Tupman, a scholar of epigraphy (the study of inscriptions) undertaking postdoctoral research at King’s College London, who took squeezes of the inscriptions on antiquities in the Museum in 2007, for her transliteration, translation and notes/bibliography of the inscription on this piece.
Inscription note: This is a very odd inscription and CIL considers it to be false. The only conceivable expansion might be:
D[is] M[anibus] Aroali<a>e f[iliae?] S v<i>x(it] ann[is] XI Aroia fil[iae] [fecit?]
“To the spirits of the departed. To Aroalia? daughter? of ?, who lived eleven years. Aroia ?set it up for her daughter?”
However Tupman believes this would be stretching the material too far, and thinks it almost certainly belongs where CIL has placed it, under ‘Falsae’. Tupman has been unable to find any Greek or Latin names that correspond with the names given in this inscription.
We are grateful to Dr. Charlotte Tupman, a scholar of epigraphy (the study of inscriptions) undertaking postdoctoral research at King’s College London, who took squeezes of the inscriptions on antiquities in the Museum in 2007, for her transliteration, translation and notes/bibliography of the inscription on this piece.
Museum number: M778
Vermeule catalogue number: Vermeule 355
On display: Dome Area
All spaces are in No. 13 Lincoln's Inn Fields unless identified as in No. 12, Soane's first house.
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Curatorial note
On the cylindrical body, between incised-wavy-line fillets, the fillet and cyma enframed name plate is flanked by standing Genii - the one to the left leaning on a reversed torch, the one to the right holding a reversed torch pointing towards the ground in his left hand. He is clasping his left shoulder with his right hand and looking outwards. Beneath the name plate are two Sphinxes seated back to back (as on the Roman bench end S143/Vermeule 237). The remainder of the body surface is enriched with convex striated fluting. The inscription has been pronounced false (e.g. added later). For the funerary motive of an inscription flanked by Genii with reversed torches in an urn of similar composition and style, compare H.S. Jones, Catalogue of Ancient Sculptures Preserved in the Municipal Collections of Rome: The Sculptures of the Museo Capitolino, Oxford, 1912, p.58, no.19, pl.11, which is said may be the circular cinerarium of Junius Bassus, the friend of Ovid.
Literature
Description of Sir John Soane's Museum, 1930, p.84, fig. 50 (lower left)
Corpus Inscriptiorum Latinarum, VI, 5, 3643.
Corpus Inscriptiorum Latinarum, VI, 5, 3643.
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