The Treasury building was built to the designs of William Kent between 1733 and 1736. Dorset House, to the east of the Treasury, was formerly part of the Duke of Monmouth's lodgings in the old Palace of Whitehall. The lease was purchased by the Duke of Dorset in 1725 and was passed on to his successors until the Crown purchased the leasehold interest in 1808, and in 1810 the lodgings (and tennis court) were converted into offices for the Home Department and the India Board (SOL, XIV, p. 75). In 1817 the India Board moved out and the Commissariat Department took over occupation of the offices, and in the following year alterations were made to improve communication with the Treasury, costing £619 (King's Works, VI, p. 551).
Catalogued here are two survey drawings showing the Treasury as existing before 1818 and five drawings with designs for alterations to the staircase in the Treasury. Of these 'Design No 3' (drawings  and ) was chosen, and it is this configuration that is shown in the plans of the Treasury buildings reproduced in the Survey of London, Vol. XIV, plates 83 and 84. The staircase, still surviving, is described by Ptolemy Dean as 'very plain, with cantilevered stone and with simple iron balustrading' (P. Dean, op. cit., p. 235).
M. H. Cox and P. Norman (eds), Survey of London: Vol. XVI: St. Margaret, Westminster, Part III , 1931; J. M. Crook and M. H. Port (eds), The History of the King's Works: Vol. VI: 1782-1851, 1973, pp. 549-51.
Tom Drysdale, January 2015
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
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