[1] Record drawing for the ceiling for the round drawing room, 1766

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Robert and James Adam office drawings
- Country houses
  - Strawberry Hill, Twickenham, Middlesex: designs for the round drawing room and a rustic cottage for Horace Walpole, 1766-68 (9)
    - Record drawing for a ceiling for the round drawing room, 1766, executed to a different colour scheme (1)

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Reference number

SM Adam volume 11/234

Purpose

[1] Record drawing for the ceiling for the round drawing room, 1766

Aspect

Plan of a circular ceiling, ornamented with a central rosette, and encircled by cusps and foil-shaped elements in imitation of tracery. Half of the drawing is washed in grey, while the other half shows two alternative colour schemes

Scale

bar scale of ½ inch to 1 foot

Inscribed

Ceiling for the Honorable Horace Walpole Esqr

Signed and dated

1766
1766

Medium and dimensions

Pen, wash and coloured washes including pink, verdigris, yellow and violet on laid paper (378 x 326)

Hand

Possibly
Adam office hand, possibly William Hamilton or Giuseppe Sacco

Literature

Bolton, 1922, Volume II, Index p. 29
Stillman, 1966, p. 111
Yarwood, 1970, p. 175
Harris, 2001, p. 92
Wilton Ely, 2011, p. 3
For a full list of literature references see scheme notes.

Level

Drawing

Exhibition history

Horace Walpole's Strawberry Hill, Yale Center for British Art, Newhaven, 15 October 2009 - 3 January 2010; Victoria and Albert Museum, London, 6 March - 4 July 2010
Giving Our Past a Future: The Work of the World Monuments Fund Britain, Sir John Soane's Museum, London, 26 October 2012 - 26 January 2013

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).