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image SM volume 63/89

Reference number

SM volume 63/89


[22] Record drawing of a door to dressing room (as drawing [21])


Plan, elevation and details of Lady's Dressing Room on the first floor


bar scale of 1/8 inch to 1 foot and Full Size


The Duke of Leeds, Dressing room / one pair, The same height as the Window Architrave, Part of Architrave / The same as windows, Part of door, >Battening in Plaster(twice), from the Wall 11':5½", to the Wall 11'5½", from the Wall 6'10 1/8", Prepared for hanging if / hereafter thought / necessary, A, B, C, D, E, G, H, A. These pannels to be / of the same heights / and the same margins / and moldings as the / door into Bow Chamber / B.These pannels to have / the same moldings / and margins as the / upper pannels of the / door into the Bow Chamber / D. These pannels to have / the same molding / & margins as E.C / F.The pannels & moldings / on this side of the door / are to correspond and / range with those on / the doors in the Front drawing Room the / the differences in height to be / given to the upper pannels / G. The knuckles of the hinges / to correspond exactly with / the bead H

Signed and dated

  • (Copy) Lincolns Inn Fields March 31st 1795

Medium and dimensions

Pen, sepia, yellow and red washes on laid paper (454 x 288) on page 89 of volume 63


The Soane office Day Book has an entry for 31 March 1795: 'The Duke of Leeds / Drawing finishings to door / into Dressing Room One Pair / Meyer' - that is Frederick Meyer (1775-?), pupil April 1791-1796.


fleur-de-lis above cartouche with bar and below ornate W


A carefully made record drawing, produced on the same day as drawing [21] and bound into a quarto volume of 131 drawings, almost all of which are plans, for town houses for forty patrons as well as for Soane himself.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).