[132] Finished drawing for the ceiling for an unknown room in an unknown house, 1770; it is not known if this design was executed

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Robert and James Adam office drawings
- Town houses
  - London
    - The Adelphi, London: designs for a speculative complex built by William Adam & Co., 1768-84 (168)
      - Adam Street
        Unknown houses, Adam Street
        Finished drawing for the ceiling for an unknown room in an unknown house, 1770; it is not known if this design was executed (1)

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Reference number

SM Adam volume 13/13

Purpose

[132] Finished drawing for the ceiling for an unknown room in an unknown house, 1770; it is not known if this design was executed

Aspect

Plan of a rectangular ceiling, with a central oval patera, enclosed within an oval fluted frame, and encircled by four rosettes enclosed within wreaths, and the whole is set within an oval frame ornamented with alternating anthemia and calyx between acanthus leaves, and this frame is encircled by bows and drops of calyx supporting medallions, alternating with lion masks supporting drops of calyx, rinceaux, anthemia and urns

Scale

bar scale of ¾ inch to 1 foot

Inscribed

Cieling at No. _ Adam Street Adelphi / The Great Oval at A [ _ _ _ _ _ _ _ _ _ ] of [ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ] (in feint pencil)

Signed and dated

1770
1770

Medium and dimensions

Pen, pencil, wash, and coloured washes including pink, Indian red and olive green on laid paper (445 x 353)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 33
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).