[131] Finished drawing for the ceiling for an unknown room in an unknown house, 1770; it is not known if this design was executed

Explore Collections

You are here: CollectionsOnline / [131] Finished drawing for the ceiling for an unknown room in an unknown house, 1770; it is not known if this design was executed

Browse

Robert and James Adam office drawings
- Town houses
  - London
    - The Adelphi, London: designs for a speculative complex built by William Adam & Co., 1768-84 (168)
      - Adam Street
        Unknown houses, Adam Street
        Preliminary design and finished drawing for the ceiling for an unknown room in an unknown house, 1770; it is not known if this design was executed (2)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 13/14

Purpose

[131] Finished drawing for the ceiling for an unknown room in an unknown house, 1770; it is not known if this design was executed

Aspect

Plan of a rectangular ceiling, with a central oval enclosed medallion, encircled by four double calyx and anthemia, and set within a lozenge-shaped frame, encircled by festoons of calyx hung from bows, and from which bows also hang drops of calyx supporting a vesica-shaped medallion in each corner, which is enclosed within festoons

Scale

bar scale of ¾ inch to 1 foot

Inscribed

Cieling at No. _ Adam Street Adelphi

Signed and dated

1770
1770

Medium and dimensions

Pen, pencil, wash and coloured wash including pink and olive green on laid paper (441 x 345)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 33
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).