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  • image SM Adam volume 24/16

Reference number

SM Adam volume 24/16

Purpose

[110] Design for the chimneypiece for the dining room, c1769-70; it is not known if this design was executed

Aspect

Elevation of a chimneypiece, with profile volute stiles, ornamented with rosettes and calyx, and a lining ornamented with waterleaf, and with enclosed rosettes in the capitals, a frieze of rosettes enclosed within connected roundels of double calyx and acanthus leaves, and with a tablet containing an urn, supported by arabesques, and containing foliage

Scale

bar scale of 1 ½ inches to 1 foot

Inscribed

East Wing D:Y: / Chimney Piece for the Dining Room on pair of Stairs 8th House / R: Front / and for the / 10t. House / Front Parlor / Statuary Marble / Wood / Statuary / Statuary Slab about 2ft. 4in wide and some measurements given in pen and pencil

Signed and dated

  • 1769-70
    datable to 1769-70

Medium and dimensions

Pen and pencil on laid paper (325 x 274)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 33
Rowan, 2007, p. 50
For a full list of literature references see scheme notes.

Level

Drawing

Exhibition history

Vaulting Ambition: The Adam Brothers, Contractors to the Metropolis in the Reign of George III, Sir John Soane's Museum, London, 14 September 2007 - 12 January 2008; The Wilson Art Gallery and Museum, Cheltenham, 19 April - 24 May 2008; Talbot Rice Gallery, Edinburgh, 24 October - 13 December 2008

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).