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image SM Adam volume 13/5

Reference number

SM Adam volume 13/5


[98] Finished drawing for the ceiling for the drawing room, 1769, as executed


Plan of a rectangular ceiling, with a central medallion, enclosed within a frame of cable moulding, encircled by our anthemia, and set within a lozenge-shaped scrolled frame, encircled by rosettes, festoons, and enclosed rosettes, and with four drops of calyx connecting a fluted oval frame in which the whole is set and with rinceaux, cameos enclosed within wreaths, and short drops of calyx in each corner, and with a rough pencil annotation of a ceiling to the right-hand side, inscribed with colours in Italian


bar scale of ¾ inch to 1 foot


Cieling for the Drawing room at No. 5. Adam Street Adelphi. / D Y East Wing 5th House (in pencil)

Signed and dated

  • 1769

Medium and dimensions

Pen, pencil, wash and coloured washes including pink, olive green and red within a single ruled border on laid paper (512 x 446)


Adam office hand, possibly William Hamilton or Joseph Bonomi


Bolton, 1922, Volume II, Index p. 33
Rowan, 2007, p. 53
For a full list of literature references see scheme notes.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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