Explore Collections Explore The Collections
You are here: CollectionsOnline  /  [30] Design for the second scheme of alterations to the house, 1777


top left corner
top right corner
bottom left corner
bottom right corner
image SM Adam volume 32/22

Reference number

SM Adam volume 32/22


[30] Design for the second scheme of alterations to the house, 1777


Elevation of the south front of a house, with a two-storey, nine-bay principal block, with a shallow hipped roof, and with a one-and-a-half-storey, seven-bay wing to the left-hand side, with a hipped roof. The principal block is ornamented with quoins, a frieze of enclosed rosettes, balustrades across the windows on the first storey, and with a three-bay canted bow in the end bays, flanking the central three bays which are arcaded with relieving arches on the ground storey, and articulated with Doric pilasters on the first storey (verso) pencil drawing of the same


bar scale of 1 3/5 inches to 10 feet


Lord Lisburne South Front (in pencil) / South front of Mamhead / one of the Seats of Lord Viscount Lisburne (in the hand of William Adam) (verso) Lord Lisburne / 3 Elevations 3 Ground Plans / South Front (in pencil) and some measurements given in pencil

Signed and dated

  • 16/05/1777
    Adelphi / May 16t 1777

Medium and dimensions

Pen and pencil on laid paper (179 x 514)


Adam office hand, possibly Joseph Bonomi, with addition to title inscription in the hand of William Adam


JWHATMAN and fleur de lis within crowned cartouche


Bolton, 1922, Volume II, Index p. 22
Rowan, 1988, p. 88
For a full list of literature references see scheme notes.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).