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  • image SM Adam volume 32/28

Reference number

SM Adam volume 32/28

Purpose

[17] Design for the first scheme of alterations to the house, 1774, unexecuted

Aspect

Elevation of the garden front of a house, with a three-storey, three-bay central block, with a hipped roof, a rusticated basement, the bays articulated by Ionic pilasters across the first and second storeys, and with paired pilasters at the edges of the end bays, and with tripartite pedimented windows in the first storey, surmounted by panels of fluting, and urns, and with half-height tripartite windows in the second storey, and with a frieze of enclosed rosettes connected by festoons. The central block is flanked by two-storey, three-bay balustraded links, with balustraded windows on the first storey, and beyond are two-storey, one-bay, pedimented pavilions, with tripartite windows, balustraded and pedimented on the first storey, and surmounted by a rectangular grisaille panel

Scale

bar scale of 1 1/4 inches to 10 feet

Inscribed

Second design (in pencil) / Second Design (in the hand of William Adam) / Elevation of the North East Front of Mamhead House in Devonshire. The Seat of Lord Viscount Lisburne

Signed and dated

  • 1774
    Adelphi July 4t. 1774

Medium and dimensions

Pen and pencil on laid paper (594 x 414)

Hand

Adam office hand, possibly William Hamilton, with title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 22
Rowan, 1988, p. 88
King, 2001, Volume II, p. 132
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).