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  • image Image 1 for SM 37/1/26
  • image Image 2 for SM 37/1/26
  • image Image 1 for SM 37/1/26
  • image Image 2 for SM 37/1/26

Reference number

SM 37/1/26

Purpose

Survey of the Duchy Court of Lancaster, November 1826

Aspect

Block plan of the Duchy Court of Lancaster and part of Westminster Hall; (verso) plan of the ground floor of the Bank of England branch bank, Manchester

Scale

bar scale of 1/6 inch to 1 foot

Inscribed

labelled: New Palace Yard, The Duchy Court of Lancaster &c, The Speakers Yard, Westminster Hall, (pencil) West Hall and dimensions given; (verso): Hall &c, Staircase, Agents Private / Room, Porter / 10.0 by 10.0, Eating Room, W.C. (twice), Coals &c, Kitchen, Pantry, Scullery, Coach house, Stable, Court

Signed and dated

  • November 1826
    November 1826 and (pencil) Nov 1826; (verso) 1st February 1830

Medium and dimensions

Pen and sepia wash (verso: pen, sepia, pink, yellow and blue washes), pricked for transfer on laid paper with one fold mark (472 x 587)

Hand

Soane Office

Watermark

W Weatherley 1822 and fleur-de-lis above cartouche with bar and below, ornate WW

Notes

The Duchy Court of Lancaster dealt with matters of equity relating to the lands held by the Duchy. The Court was adjacent to the north east corner of Westminster Hall.

On the verso of the drawing is a design for alterations to the Bank of England's branch bank in Manchester, which included a new front entrance and outbuildings (q.v. The Bank of England Branch Banks, 1826-31: Manchester: Bank of England branch).

Tom Drysdale, November 2014

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).