Surveys of the apartments belonging to the Lord Great Chamberlain and the Labourer in Trust, 30 August 1823

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other architects add, for example, Sir Robert Taylor (Bank of England), Sir William Chambers (Office of Works) etcetera
- Adam Lee: Westminster, London: surveys and designs for the Palace of Westminster, 1808-23 (9)

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Reference number

SM 37/1/15

Purpose

Surveys of the apartments belonging to the Lord Great Chamberlain and the Labourer in Trust, 30 August 1823

Aspect

Plans of The Lord Great Chamberland (sic) and Labourer in Trust Apartments at the House of Lords

Inscribed

as above, labelled: To Jn^o Soane Esq^r, Journal Room Under Old House of Lords, Labourer in Trust / Kitchen, D^o Office, D^o / Sitting / Room, D^o / Parlour, Labourer in Trust Garden, Old House of Lords, Passage to the House of Lords, Labourer in / Trust / Room, The Lord Great / Chamberlands / Rooms N^o 1, D^o N^o 2, D^o N^o 3, Winding Staircas (sic) Case, D^o, Labourer Trust (sic) / Bed Rooms, Labourer in Trust / Lumber Room / for Stones &^c / in the Roof, Blank / Space under / Roof, D^o and dimensions and calculations given

Signed and dated

30 August 1823
30 August 1823, Adam Lee

Medium and dimensions

Pen, partly pricked for transfer on wove paper (310 x 524)

Hand

Adam Lee (c.1772 - 1843)
Office of Works.

Notes

The drawing shows, from left to right, the ground, one pair and two pair floors of the apartments. The building was joined to the old House of Lords at a right angle. It was demolished in 1823 to make way for the new Royal Gallery and committee rooms.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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