Survey of the area between the House of Commons and the Painted Chamber

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other architects add, for example, Sir Robert Taylor (Bank of England), Sir William Chambers (Office of Works) etcetera
- Adam Lee: Westminster, London: surveys and designs for the Palace of Westminster, 1808-23 (9)
  - Designs for a new library, committee rooms and clerks' offices for the House of Commons, June 1821 (copied June 1825) (7)

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Reference number

SM 51/4/8

Purpose

Survey of the area between the House of Commons and the Painted Chamber

Aspect

Plan of the area between the House of Commons and the Painted Chamber

Scale

to a scale of 1/8 inch to 1 foot

Inscribed

labelled: House of Lords, Lobby, Long Gallery, Engrossing / Office, Painted / Chamber, Cotton Garden (twice), Clerk / of Fee's / Office, House / of / Commons, Roof / Over / Kitchen, Principal Clerk of the / House of Commons, Speakers / Garden, Garden in Front of the Thames

Medium and dimensions

Pen, sepia, pink, green, yellow and blue washes, pricked for transfer within a double-ruled border on wove paper (559 x 437)

Hand

Possibly Adam Lee (c.1772 - 1843)
Office of Works.

Watermark

W Turner

Notes

The attribution of this drawing to Adam Lee is tentative. It shows the Long Gallery, Engrossing Office and house of the Clerk to the House of Commons, which was proposed to be demolished to make way for a new Commons library and committee rooms. Designs for these new committee rooms, attributed to Lee, are dated "June 1821" (q.v. SM 51/4/2-7).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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