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image SM volume 66/86

Reference number

SM volume 66/86

Purpose

[14] Design 'B' for the principal floor

Aspect

Design B, Plan of the Principal Floor

Scale

to a scale of 1/7 inch to 1 foot

Inscribed

as above, rooms labelled: Withdrawing Room / 24 feet by 26 feet 6", The Hall / 25 feet 6" by 25 feet 6", Eating Room / 45 feet by 26 feet 6 inches, Loggia, Saloon / 51 feet by 37 feet, Billiard Room / 31 feet by 20 feet

Signed and dated

Copy Lincolns Inn Fields May 1797

Medium and dimensions

Pen and black black wash with quadruple-ruled and black wash border on laid pape r(495 x 702) bound into volume 66/86

Hand

Thomas Jeans (c.1775-1866), pupil August 1792-25 August 1797. The inscriptions are in his hand, however the Soane office Day Book for May 1797 records drawings for Hinton St George being made by 'Jeans / Seward / Good'. That is: Henry Hake Seward (1777-1848), pupil and assistant May 1794 - September 1808; Henry Joseph Good (1775-1857), pupil January 1795-January 1799. Seven drawings (six on Imperial-sized sheets and one on double Elephant) were taken to Lord Poulett's house in Stratford Place, London on 26 May 1797.

Notes

A comparison with design 'A' shows that the rooms are the same except that the Billiard Room is 6 inches larger in design 'A' than in 'B'. The Hall differs reflecting the segmental bow of the portico in design 'A' as against the narrow rectangularity of design 'B'. The ceiling of the Saloon now has an oval design (dome with lantern) that emphasises the well proportioned room (51 x 37 feet).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).