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image SM 6/3/6

Reference number

SM 6/3/6

Purpose

[6] Survey plan of the chamber floor with offices

Aspect

Plan of the Chamber floor

Scale

bar scale of 1/15 inch to 1 foot

Inscribed

as above, Earl Poulett, Hinton St George, Upper Part / of Yellow Room, Upper Part / of State Chamber, Upper Part of Saloon, Wardrobe, Chamber (8 times), Lord Hinton's / Chamber, Nursery Apartments, Nursery / Dining Room, Nursery / Kitchen, Closet and (eastern side) Hay Loft, Bedroom (4 times), Saddles, Straw Loft, Upper Part of Riding House, Hay Loft, Bedroom (twice), Granary, Wheat (twice), Oats (3 times) and dimensions given

Signed and dated

1796

Medium and dimensions

Pen and sepia washes on coarse laid paper with six fold marks (556 x 671)

Hand

Thomas Jeans (c.1775 -1866), pupil August 1792-25 August 1797.
The Soane office Day Book for 1796 shows that Thomas Jeans left London on the morning of 5 August 1796 to take plans of Hinton St George. He returned on the evening of 27 August. He then spent much of the time between 29 August and 12 September drawing out plans, elevations and sections. The expenses of his trip came to £4:17:9d for which Earl Poulett was billed on 19 September 1796.

Notes

The chamber floor contains the upper parts of three reception rooms and at the same level is the upper part of the riding house. The nursery with kitchen, dining room and several bedrooms is a distant and self-contained entity. As are the stables with bedrooms for grooms and storage for straw, hay, wheat and oats.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).