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image SM 37/1/20

Reference number

SM 37/1/20

Purpose

Survey of the Palace of Westminster, (Copy) 26 November 1822

Aspect

Plan of the Palace of Westminster; (verso) part elevation and profile of a window and rough pencil perspective and plan for an Ionic portico

Scale

bar scale of 2/7 inch to 10 feet

Inscribed

labelled: Saint Margarets Street, New Palace Yard, Westminster Hall, Court / of / Chancery, Court / of / Kings / Bench, Old Palace Yard, Court of Requests, Long Gallery, Court, Auditor of Exchequer, House / of / Commons, Mr Hatsells / House, Painted / Chamber, House of Lords, Princes / Chamr, Garden, Yard, Late Parliament / Stairs, Mr Delavals / House &c, Mr / Delavals / Garden, Cotton Garden, Mr Hatsell's / Garden, Garden to Auditors House

Signed and dated

Copied / 26th Nov / 1822

Medium and dimensions

Pen and sepia wash, pricked for transfer on wove paper (353 x 472)

Hand

Charles Edward Papendiek (1801 - 1835)
Pupil January 1818 - March 1824.

Notes

There is no indication in this plan of Soane's work on the new Royal Entrance to the House of Lords, which was by November 1822 at an advanced stage. The Courts had been removed from Westminster Hall in 1820 so that it could accommodate George IV's coronation banquet. This drawing, then, was probably copied from an earlier original.

On the verso is an elevation of four leaded windows, the bottom part of which has been cut off. At the top of the sheet, in pencil, are two rough designs (in plan and in perspective) for a pedimented Ionic portico that is six columns wide and three columns deep.

Tom Drysdale, October 2014

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).