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image SM Adam volume 12/101

Reference number

SM Adam volume 12/101

Purpose

[16] Record drawing for a ceiling for the saloon (later the green drawing room), 1772, as executed

Aspect

Plan of a rectangular, tripartite ceiling, divided by bands of connected enclosed rosettes, with a central square compartment, containing a medallion enclosed within circular frames of fluting Vitruvian scroll, guilloche, laurel leaves, and a band containing urns connected by festoons, and supported by calyx and peltoid shields, alternating with cameos enclosed within lozenges and wreaths, and in each corner is a triangular compartment containing arabesques and rosettes, and the central square compartment is flanked by rectangular compartments containing arabesques and rosettes

Scale

bar scale of 3/4 inch to 1 foot

Inscribed

Cieling for the Saloon for The Earl of Bective

Signed and dated

Adelphi / 19t. Novr. 1772.

Medium and dimensions

Pen, pencil, wash and coloured washes including pink and verdigris on laid paper (588 x 452)

Hand

Adam office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 52
Harris, 1973, note to pl. 31
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).