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image SM volume 59/22

Reference number

SM volume 59/22

Purpose

[25] Design for front elevation in a Castle style

Aspect

Front elevation in a setting

Scale

bar scale of 1/8 inch to 1 foot

Inscribed

David Scott Esqr, Elevation of the Entrance Front

Signed and dated

John Soane Archt 1795

Medium and dimensions

Pen, black, sepia,green and blue washes, shaded with triple-ruled and black wash border on wove paper (278 x 460) tipped into volume 59, page 22

Hand

Soane Office

Notes

Four storeys high, the raised basement and ground floors are eleven bays wide, the first floor has seven bays and the second floor has three bays. Four turrets with their narrow slit windows (loopholes) account for four of the bays on the ground and first floors while the second floor has two cross-slit windows. The loopholes have hood-moulds and the door and windows have labels. The four turrets are battlemented, the parapet and a string course a have a diamond-fret with quatrefoil decoration. Between the first and second floors runs a course of something like gadrooning. It is assumed that the front elevation was the same for both schemes ('K' and 'L').
This elevation relates to drawing [18] 'Plan of the Ground Floor L' and to first floor plans [21] and [22]. These all have one window to each floor of the turrets, other floor plans have three windows to each turret.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).