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  • image SM 89/3/54

Reference number

SM 89/3/54

Purpose

Survey drawing of the existing Royal Entrance, 20 February 1822

Aspect

Plan of the King's Entrance / to the House of Lords

Inscribed

as above, labelled (pencil): door (twice), Painted Chamber, Garden and dimensions given

Signed and dated

  • 20 February 1822
    (pencil) 20th Feby 1822, (pen) Arthur / Mee Esqre

Medium and dimensions

Pencil and brown pen on laid paper with four fold marks (323 x 400)

Hand

Arthur Patrick Mee (1802 - 1868)
Pupil January 1818 - November 1823.

Watermark

J Larking 1812, Britannia with lance, shield and olive branch within crowned oval

Notes

This drawing, which is signed by Arthur Mee, one of Soane's pupils, has the Painted Chamber outlined in pen. Mee spent nearly two weeks (9-20 February 1822) making survey drawings of the House of Lords.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).