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  • image Image 1 for SM 89/3/49
  • image Image 2 for SM 89/3/49
  • image Image 1 for SM 89/3/49
  • image Image 2 for SM 89/3/49

Reference number

SM 89/3/49

Purpose

Survey drawing of the existing Royal Entrance, 18 February 1822

Aspect

Plan of the King's Entrance / to the House of Lords; (verso) rough, unfinished perspective of the Royal Entrance with the Prince's Chamber from the south west

Scale

bar scale of 3/4 inch to 10 feet

Inscribed

as above, labelled (pencil): Lord Chamberlains door / Windows, Bishops / door, Bishops / Waiting / Room, Hall and dimensions given; (verso, pencil) calculations

Signed and dated

  • 18 February 1822
    18th Feby 1822

Medium and dimensions

Pencil on laid paper with five fold marks (323 x 400)

Hand

Arthur Patrick Mee (1802 - 1868)
Pupil January 1818 - November 1823.

Watermark

J Larking 1812, Britannia with lance, shield and olive branch within crowned oval

Notes

The focus of this survey drawing seems to be on the offices between the existing staircase (to the right) and the House of Lords. The existing staircase, which leads from the Royal Entrance on Old Palace Yard to the Prince's Chamber, is not parallel to the adjacent wall.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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