Explore Collections Explore The Collections
You are here: CollectionsOnline  /  [9] Record drawing for a ceiling for the gallery, 1775, unexecuted

Browse

top left corner
top right corner
bottom left corner
bottom right corner
image SM Adam volume 12/61

Reference number

SM Adam volume 12/61

Purpose

[9] Record drawing for a ceiling for the gallery, 1775, unexecuted

Aspect

Plan of a rectangular, compartmental ceiling, flanked by a screen of columns, beyond which are enclosed rosettes framed by connected octagons, and the compartmental central flat contains three large square frames, one of which contains a medallion enclosed within a circular frame of crockets, with a triangular compartment of festoons in each corner, and set within a square of bell flowers, and another square compartment has a central enclosed rosette, within circular frame of crockets and bell flowers, with miniature rosettes enclosed within triangles in each corner, and within a frame of bell flowers and swags, and these square compartments are framed by rectangular and square compartments containing oval medallions flanked by winged griffons with arabesque tails, or enclosed lion masks within wreaths, and the whole central flat has a border of guilloche flanked by bands of festoons (verso) pencil-drawn preliminary version of recto

Scale

bar scale of 2/5 inch to 1 foot

Inscribed

Cieling for the Gallery at Mellerstain

Signed and dated

Adelphi / 5t / August 1775.

Medium and dimensions

Pen, pencil and terre verte wash on laid paper (611 x 346)

Hand

Adam office hand, either Joseph Bonomi or Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 22
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).