[44] Design for a chimneypiece for the ante room, 1774, as executed

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Robert and James Adam office drawings
- Country houses
  - Newby Hall, Ripon, North Yorkshire: designs for the house and interior for William Weddell, 1766-84 (52)
    - Design for a chimneypiece for the ante room to the principal bedchamber (now the Homer bedroom), 1774, as executed (1)

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Reference number

SM Adam volume 22/262

Purpose

[44] Design for a chimneypiece for the ante room, 1774, as executed

Aspect

Elevation of a chimneypiece, with narrow pilaster stiles, ornamented with enclosed rosettes, with an architrave ornamented with unlobed acanthus leaves, with a fluted frieze including three figurative tablets, flanked by drops of calyx

Scale

bar scale of 1 1/2 inches to 1 foot

Inscribed

Chimney Piece for the Anti room at Newby

Signed and dated

20/06/1774
Adelphi / 20t June 1774

Medium and dimensions

Pen on laid paper (407 x 291)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, p. 23
Harris, 2001, pp. 225, 357
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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