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image SM Adam volume 22/256

Reference number

SM Adam volume 22/256

Purpose

[41] Record drawing for a chimneypiece for the study, 1769, unexecuted

Aspect

Elevation of a chimneypiece, with volute stiles, ornamented with a rosette, and calyx, and with a frieze ornamented with alternating anthemia, and tubular flowers, and with an urn in the capital

Scale

bar scale of 1 3/5 inches to 1 foot

Inscribed

Design of a Chimney Piece for the Study at Newby (and in pencil) River front / [ ____ ] 1 pair

Signed and dated

1769

Medium and dimensions

Pen on laid paper (406 x 291)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Notes

The pencil inscription on this drawing, River front / [ ____ ] 1 pair, suggests that Adam had intended to reuse the design at the Adelphi, as was the case with various other chimneypiece designs of the 1760s. In this case it was clearly intended for use in a first storey room in one of the houses on the Royal Terrace. Indeed, a close variant copy of the design was made for the back drawing room at 2 Royal Terrace (Adam volume 24/26), corresponding with the pencil inscription.

Literature

Bolton, 1922, Volume II, Index p. 23
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).