[28] Finished drawing for a ceiling for the hall, 1769, as executed

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Robert and James Adam office drawings
- Country houses
  - Newby Hall, Ripon, North Yorkshire: designs for the house and interior for William Weddell, 1766-84 (52)
    - Finished drawing for the ceiling for the hall, 1769, as executed (1)

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Reference number

SM Adam volume 11/238

Purpose

[28] Finished drawing for a ceiling for the hall, 1769, as executed

Aspect

Plan of a rectangular ceiling, with a central rosettes, set within an x-shaped arrangement of volutes terminating in anthemia, and containing drops of calyx, and within an oval frame of festoons, from which hangs peltoid shields, all set within an octagonal compartment, and with a compartmental border, divided by bands of cable moulding, with segmental panels containing military trophies in the side panels, and urns flanked by rinceaux in the corner panels, and beyond the corner panels are roundels containing rosettes enclosed within wreaths

Scale

bar scale of 3/5 inch to 1 foot

Inscribed

Design of a Cieling for the Hall at Newby. The Seat of William Weddell Esquire

Signed and dated

1769
1769

Medium and dimensions

Pen and wash on laid paper (579 x 456)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 23
Stillman, 1966, p. 72
Harris, 2001, p. 357
King, 2001, Volume I, p. 263
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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