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image SM Adam volume 41/74

Reference number

SM Adam volume 41/74

Purpose

[3] Design for the interior layout of the principal storey of the house, c1766-67, executed with alterations

Aspect

Plan of the principal (ground) storey of a U-shaped house, with a double-pile, five-bay principal block, with a central hall accessed by a central porticoed entrance, with an Imperial staircase to one side, and the principal block is flanked by projecting eleven- and twelve-bay wings, with three-bay canted ends on the principal front. The left-hand wing contains a sculpture gallery as Adam volume 41/76, and an apsidal drawing room beyond, and the right-hand wing contains the kitchen and domestic rooms, and with pencil-drawn annotations showing curved external stairs on the principal front, and a rough elevation for a porch and balustrading as seen in Adam volume 41/73

Scale

bar scale of 1 inch to 10 feet

Inscribed

Newby (in pencil) / 1st design (in pencil) / Plan of the Alterations of a House of William Weddell Esqr / [ _ _ _ _ _ ] South (in pencil) / W (in pencil) / Dining Room / Room for Antiquitys / Anti Room / Drawing Room / Hall / Powdering Room / Servants room / Mr Weddells Dressing Room / Ladys Bed Room / Ladys Dressing Room / Water Closet / Powdering Room / Kitchen Continued (underwritten in pencil) and some measurements given

Signed and dated

datable to 1766-67

Medium and dimensions

Pen and pencil on laid paper (366 x 496)

Hand

Adam office hand

Watermark

GR surmounted by fleur de lis within crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 23
Harris, 2001, pp. 356, 358
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).