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image SM Adam volume 4/149

Reference number

SM Adam volume 4/149

Purpose

[1] Preliminary design for the interior layout of the sculpture gallery, c1766-67, executed with alterations

Aspect

Rough plan showing part of a house, composed of a double pile block, and a projecting wing, with an Imperial staircase, and a large rectangular room to one side with apsidal ends screened by columns, and connecting to the wing, which is composed of three spaces, with a central circular room with four niches, flanked by rectangular rooms, one of which has an apsidal end, and with rough elevations in the bottom left-hand corner showing a Diocletian window, and a sculpture-filled apse or niche

Scale

not to scale

Signed and dated

datable to 1766-67

Medium and dimensions

Pencil on laid paper (536 x 350)

Hand

Robert Adam

Literature

For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).