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  • image Image 1 for SM Adam volume 37/29
  • image Image 2 for SM Adam volume 37/29
  • image Image 1 for SM Adam volume 37/29
  • image Image 2 for SM Adam volume 37/29

Reference number

SM Adam volume 37/29

Purpose

[18] Design showing a gateway and lodges, 1775, unexecuted

Aspect

Plan and elevation of an entrance gate and porter's lodge, with a central double wooden gate, ornamented with studding and finials, flanked by single-storey, single-bay towers, and single-storey, single-bay crenellated link walls containing doors, and beyond, on the edge of a prominence, are single-storey, three-bay crenellated circular towers, with conical roofs, and containing porters' lodges, and beyond are wooden fences, terminated by pedestals surmounted by sculpted sphinxes (verso) pencil-drawn unfinished plan and elevation as recto

Scale

bar scale of 1/4 inch to 1 foot

Inscribed

Design of the Gateways proposed at the East and West Ends of the Wings of the North Front of Fleurs Castle / One of the Seats of the Duke of Roxburghe / Ha Ha Wall / Plan of the Gateway / Part of the Wing to serve as a Porters Lodge (verso) 6 (in pencil) / Number 6 (in brown pen) / Earl of Roxburgh Gateway

Signed and dated

  • 1775
    Adelphi 8th. Septemr. 1775

Medium and dimensions

Pen and pencil on laid paper (490 x 498)

Hand

Adam office hand, possibly Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 13
King, 2001, Volume II, p. 244
For a full list of literature references see scheme notes

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).