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  • image SM Adam volume 37/20

Reference number

SM Adam volume 37/20

Purpose

[7] Design showing a plan of the ground storey, 1772-73, unexecuted

Aspect

Plan of the principal (ground) storey of a house as Adam volume 37/19, but with U-shaped wings shown to either side, with stables in the left-hand court, and a kitchen in the right-hand court

Scale

bar scale of 3/4 inch to 10 feet

Inscribed

Plan of the Principal Story of Fleurs Castle for his Grace The Duke of Roxburgh (for his Grace The Duke of Roxburgh in the hand of William Adam and underwritten in pencil) / Coach House / Stables for hack Horses / Stable / Stable / Passage / Stable / Stable / Passage / Stable for Saddle Horses / Coach House / Court / Court / Gardeners Room / Green House / Water Closet / Lobby / Water Closet / Passage / Bed Chamber / Anti Room / Closet / Drawing Room / Hall / Passage / Water Closet / Lobby / Water Closet / Passage / Skittle Room / Passage / Scullery / Kitchen / Scullery / Bake House / Brew House / Gyle House / Court / Slaughter House / Staircase and some measurements given in pen and pencil (verso) 4 / 4 / 4 (in pencil) / [cropped]leurs Castle / [cropped] Design / Duke of Roxburgh (in pencil)

Signed and dated

  • 1772
    Adelphi / 24th October 1772

Medium and dimensions

Pen and pencil on laid paper (1024 x 604)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonom, with addition to title inscription in the hand of William Adam

Watermark

D&CBLAUW IV and XD&CB within a cartouche

Literature

Bolton, 1922, Volume II, Index p. 13
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).