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  • image SM Adam volume 50/69

Reference number

SM Adam volume 50/69

Purpose

[9] Design of the plan, laid out elevations and part of the ceiling for the library, c1780, executed with alterations

Aspect

Plan and laid out wall elevations of a rectangular room with a projecting bow opposite the chimney wall, with a coved ceiling ornamented with a frieze of alternating tazza and enclosed anthemia, surmounted by overlapping festoons. The central coved area is flanked by flat-roofed screened recesses, ornamented with compartments enclosing rosettes either with festoons or palmettes. The walls are lined with bookshelves from floor to ceiling, with a central door in one end wall, and a central chimneypiece on the long straight wall, with tapering moulded stiles, urns in the capitals, and with a frieze of alternating tazza and anthemia enclosed within scrolled hearts

Scale

bar scale of 3/10 inch to 1 foot

Inscribed

Section of the Chimney Side for Sir John Ramsden at Byram (for Sir John Ramsden at Byram in the hand of William Adam) / Section of an end behind the columns / Plan of the Library / The Griffins and Tripod at A / Books here / Section of the screen of columns and some measurements given in pencil

Signed and dated

  • c1780
    datable to c1780

Medium and dimensions

Pen, pencil, wash and coloured washes of pink and yellow on laid paper (367 x 533)

Hand

Adam office hand, possibly Joseph Bonomi or Robert Morison, with addition to title inscription in the hand of William Adam

Watermark

GR surmounted by fleur-de-lis within crowned cartouche

Literature

Bolton, 1922, Volume II, p. 306, Index, p. 5
Spiers, 1979, p. 72, Index, p.5
King, 2001, Volume I, pp. 24, 252, 260
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).