According to Rowan, these views were produced not for engraving and publication (as was typical of views of this sort), but rather for the perusal of the Society of Lincoln’s Inn, to show them the 'movement' of the façades. Of Adam volume 28/14 Tait wrote the following: ‘The perspective Adam used brilliantly showed to the full his sense of movement and the variety of the separate buildings that compiled his design.'
Adam’s scheme for Lincoln’s Inn was not executed, and instead, Sir Robert Taylor’s designs were built in 1774-80. See scheme notes.
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
fuller records where drawings have been catalogued in more detail (an ongoing