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image SM Adam volume 28/12

Reference number

SM Adam volume 28/12


[7] Finished drawing showing the elevation of the clerks’ offices towards Lincoln’s Inn Fields, 1772-74, unexecuted


Elevation of the clerks’ office, showing a two-storey, fifteen-bay block, with a pitched roof, and a rusticated ground storey, and with the central three bays projecting, with relieving arches over the central door and windows on the ground storey, surmounted by an Ionic portico and pediment with acroterion sculptures, and rectangular figurative panels over the first-storey windows, and the central three bays are flanked by three bays with the first-storey windows surmounted by medallions, and set within relieving arches, and the end three bays are projecting, articulated by Ionic pilasters in the first storey, with a central apse containing a balustraded window, and these three projecting bays are surmounted by an attic ornamented with a tablet and oval medallions, and crowned by sculpture, and the whole has a fluted frieze


bar scale of 1 inch to 10 feet


Six Clerks Office fronting South towards the Gardens (in the hand of William Adam) and some measurements given (verso) Cambridge unfinished Drawings / Lincolns Inn fair copie [cropped]

Signed and dated

  • 1772-74
    date range: 1772-74

Medium and dimensions

Pen and wash within a single ruled border on laid paper (599 x 472)


Adam office hand, possibly William Hamilton or Joseph Bonomi, with title inscription in the hand of William Adam


XD&CB within a cartouche


Bolton, 1922, Volume II, Index p. 41
King, 2001, Volume II, p. 57
For a full list of literature references see scheme notes.



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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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