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image SM 51/3/6

Reference number

SM 51/3/6

Purpose

Design to render the new buildings in a uniform style, 1825

Aspect

Bird's-eye perspective of a design to render the buildings connected with the Houses of Lords and Commons of one uniform style of architecture

Inscribed

as above, labelled: Committee Rooms / House of Lords, Painted Chamber, Library, Committee Rooms & / Clerks Office House of Commons, House of Commons, Speaker of the House of Commons, Qy Wall or Iron Railing

Medium and dimensions

Pencil, sepia, burnt umber, blue and green washes, shaded, with double ruled border on stout wove paper (470 x 693)

Hand

Soane Office

Watermark

Smith & Allnutt 1823

Notes

Similarly to SM 51/3/40, this bird's-eye perspective shows a design for giving the river side of the Palace of Westminster a uniform Gothic appearance. There are differences between this and the other design in the appearance of the Lords and Commons committee rooms - that is, the buildings on the east side of the Palace, designed by Soane - and the Speaker's House, for which Soane made some internal alterations between 1824-26.

This drawing bears a close relation to Plate 29 in Soane's Designs for Public Improvements, 1827, which is a bird's-eye view of 'A design to render the exterior of all the buildings connected with the official residence of the Speaker of the House of Commons & the front of the House of Lords to the northern entrance of Westminster Hall in the same style of architecture'.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).