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image SM 71/2/69

Reference number

SM 71/2/69


Design for a Royal Gallery, 1822


Perspective Sketch of a Design for the proposed Royal Gallery, House of Lords


as above

Signed and dated

  • 1822

Medium and dimensions

Pencil, pen, sepia, yellow and blue washes, shaded, with multi-ruled pink and black wash border on wove paper (374 x 301)


Soane Office


Similar to SM 71/2/68, in this drawing the gallery has three bays with shallow pendentive domes ornamented with acanthus leaves, scrolls and rosettes, the central dome carries a lantern and the other visible dome has a naturalistic 'sky' painting. However, in this design there are no apses with skylights but instead, large, tripartite windows with Ionic columns and lunettes in each of the three bays. No indication is given of the furnishings of the gallery but presumably it would have contained statuary as in the aforementioned drawing.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).