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  • image SM Adam volume 52/21

Reference number

SM Adam volume 52/21

Purpose

[7] Record drawing showing mouldings for the back drawing room, 1765, thought to be as executed

Aspect

Elevation of details of mouldings for bases, the architrave to the windows, and the entablature to the doors. The base is composed of a plain plinth, a base ornamented with spiral fluting, and acanthus leaves and dart, and the surbase is ornamented with fluting, egg and dart, beading and stiff leaf. The window architrave is ornamented with beading, waterleaf, waterleaf and dart, and acanthus leaves with an anthemion in the corner. The door entablature is ornamented with beading, waterleaf, waterleaf and dart, acanthus leaves and dart with an anthemion in the corner, surmounted by a frieze and cornice as Adam volume 52/21

Scale

half size

Inscribed

Mouldings for the Room / next the Garden in The Right / Honble Hercules Langford Rowley Esqrs / house in Mary Street Dublin / drawn to half the Size / Surbase / Base / Plinth / Architrave for Windows / Entablature for the / Doors

Signed and dated

  • 1765
    datable to 1765

Medium and dimensions

Pen and pencil on laid paper (374 x 304)

Hand

Adam office hand

Watermark

GR within crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 10
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).